Category: Photography

Seven Magnificent Cameras to Save Film Photography

Digital photography has made awesome picture taking capabilities available to everyone. In January 2012, one of the world's premiere film companies, Kodak, declared bankruptcy. Ironically, Kodak's film division remains a profitable part of the company. Film still has a place in the arts and many hearts. Enthusiasts still enjoy the magic of film chemistry and the satisfying click of a real mechanical shutter. If film is to have a future, these seven cameras may be its salvation.

  1.  Lomography 35mm Film Cameras – It's unfair to lump the wide variety of Lomography cameras under one entry. But, there are too many to choose from. The Lomography movement is reinvigorating film photoraphy with excitement, fun, and a vibrant artistic sensibility. A host of colorful "toy" cameras enable photographers to create quirky, unusual, and sometimes unpredictable photos. Lomography 35mm fixed focus cameras come in traditional, fisheye, pinhole, bent corners, exposed sprocket, and multi-lens versions. They all enable shutterbugs to take long exposure pictures and multiple exposure pictures. You can also get colored accessory flashes to splash your subjects with different colors. Lomography cameras are affordable with online prices for the cameras like the famous Holga 135 and Lomography Diana Mini starting around $50.
  2.  Blackbird 35mm TLR camera – The Blackbird TLR camera is a low cost 35mm camera that evokes the medium format Twin Lens Reflex cameras of the past. However, by using a plastic body, the price of this toy camera comes in at around $100. With a TLR camera, you look down into a viewfinder on the top of the box-shaped camera. This makes the TLR an interesting choice for disceet street photography. Like the Lomography cameras, the Blackbird is great for taking long exposures or ghostly double exposures. Lower priced alternative toy TLR cameras include the Genuine Fotodiox DIY Lomo TLR Camera kit and Genuine Recesky 35mm Lomo TLR cameras kit.

    3. Vivitar 3800N 35mm SLR Camera
    – If you want a state of the art, fully, manual, 35mm SLR, the Vivitar 3800N might be for you. While there are many vintage cameras in the marketplace, you won't have to worry if grandpa's old camera still works when you have a brand new camera of your own. This Vivitar has long been the affordable work horse of film photography students and its a great choice for someone getting started in the medium. Once you learn the manual settings of a traditional 35mm camera, you'll be able to apply the lessons you learn to the byzantine menus of a digital. However, you might find you've fallen in love with film.

    4. Fujifilm Instax Camera / Polaroid Camera
    – Do you long to "shake it like a Polaroid picture?" Don't fret. Instant pictures are still around and doing well with new cameras from Fujifilm and Polaroid. If you want to liven up a party or family gathering, an instant photo camera is quite a conversation starter. Plus, you can hand a tangible picture to your subjects right after you take it. It's a guaranteed conversation starter. Check out the Polaroid 300 Instant Cameras or Fuji Instax Cameras.
  3.  Fujifilm Natura Classica Camera – This series of film camera is designed to work well in natural light conditions and extremely low light conditions with high speed film and without using a flash. This is an area where digital cameras don't generally perform well. While this camera isn't for bright sunlight, it's great for taking shots indoors or in the evening in natural light. The Natura Classica isn't officially sold in the U.S., but it is available via various sellers on ebay and Amazon. One

HDR Photography: How to Create High Dynamic Range Photos with Ease

There's something about a high dynamic range (HDR) photo that tends to make it stand out from the crowd. Instead of a single image, HDR photos can represent three separate images that have been blended together in a way that puts the best features of the subject matter on display.

If you're itching to jump in on the HDR trend, here are a few ideas on how to get your feet wet with the process – and do so quickly:

#1 – Hire experts to create your HDR photos

Maybe you don't feel like taking days or weeks to read reviews, watch tutorials, and learn the latest HDR software in order to manipulate your images to look their best. In that case, hiring experts who are well versed in HDR blending and correction of photos, like Smart Photo Editors, could be your best bet.

Lest you think it isn't worth the expense, consider how much various industries such as the home-selling market benefit from professional high dynamic range editing in order to permit photos to represent the true magnificence of certain houses as they truly exist – allowing the HDR images to reflect a view closer to what the human eye sees in person.

#2 – Play around with the HDR setting on your smartphone

If you don't need HDR photos for any serious subject matter, your cell phone might do. Maybe you just want the high dynamic range goodies for your selfies. Well, not all phones come equipped with an HDR option for the front camera, but there are certain cell phones that have been commended for having an advanced HDR feature at all.

The iPhone 5s has a native camera app that includes an auto HDR feature, and the Samsung Galaxy S5's camera comes with an advanced HDR option that makes the colors of your photos richer. Therefore, check your phone's features – and feel free to search online for great HDR photo-taking tips, like making sure to snap the pics when your subject is still, since your phone will be taking three photos in rapid succession. (That's unless you're going for the motion effect.)

#3 – Photoshop your HDR photos with Photoshop clones

Okay, let's say the HDR-produced pics from your cell phone just aren't cutting it. They don't look as good as some of those gorgeous images you see online with amazing nature photography panoramic vistas.

If you're technically inclined, you might want to play around with Photoshop's "Merge to HDR" feature, however, experts claim that Photomatix Pro is a better option due to its faster speed and greater image control. Conversely, pundits still give the Photoshop "Merge to HDR" feature its props because it's easier to learn – plus, if you already own the software, that's one less tool to purchase to fulfill your HDR dreams.

Whatever method you choose to have your HDR photos created, it will probably be worth the effort in the end, because excellently crafted high dynamic range photos have a way of making viewers do a double take.…

Digital Photography Summer Camp for Kids in San Diego

The Digital Photography Summer Camp for Kids in San Diego for the first session only will be held at the Classical Academy located at 2950 S. Bear Valley Parkway in the Escondido Community of North San Diego.

Campers attending the Digital Photography Summer Camp for Kids in San Diego will learn how to maximize their skills, and the features on their digital cameras. They will also learn the artist aspect of photography in terms of understanding light and composition in a finished photograph. Campers learn techniques to alter images and editing digital errors such as removing red-eye, and using computer programs to change background scenery. By the end of the Digital Photography Summer Camp for Kids in San Diego, campers will create a slideshow of pictures taken during summer camp 2020.

This is a very popular subject and to accommodate all of the campers there will be four different sessions to accommodate two age groups. The first session for Digital Photograph Summer Camp will be held the week of July 7th through 11th for grades 2nd through 4th. Camp hours for Digital Photography 101 will be held between 1:00PM and 4:00PM. The 5th to 9th grade group will meet June 23rd through June 27th between the hours of 9:00Am and 12:00PM.

The second section of Digital Photograph Summer Camp for Kids in San Diego will be held at Palomar College in San Marcos. The session for kid in 2nd to 4th grade will be held July 21st through July 25th. Digital Photography 101 will meet between the hours of 9:00AM and 12:00PM. The second session for the older kids 5th grade through 8th grade will be held July 14th through 18th between the hours of 1:00PM to 4:00PM.

The fee for attendance in the Digital Photography Summer Camp for Kids in San Diego is $175.00 per camper. There is a $10.00 registration fee per camper, which includes a summer camp tee shirt. All cancellations will be charged a $25.00 administration fee. If summer camp is cancelled within one week of commencement of the dates for camp there will be no refund.

After summer camp is over all of the cameras kids received at Christmas and for birthday will be used properly and thoroughly with the skills learned in the Digital Photography Summer Camp for Kids in San Diego. For more information on enrollment and registration for he Digital Photography Summer Camp for Kids in San Diego call 760-891-7626.…

Film Versus Digital Photography: Consider Cost and Longevity

Click on any site devoted to photography and you will find a question that will be answered, or attempted to be answered, by everyone. That question is, "Which is better: Film or digital photography?"

The debate over this almost always starts with cost and how digital is cheaper. Is this true though? Factor in the costs of a darkroom compared with the costs of a computer and the digital darkrooms, such as Photoshop, Corel Photo and the multitude of other programs, it most likely balances out.

Camera costs are next. Digital cameras are going down in price and becoming more widespread. The same is happening with film cameras but film has the additional cost of film but digital has the one time cost of memory so digital does win out. However durability and upgrading is an issue.

A film camera can last generations but digital cameras come and go with the newest model and technology. As said, there is the cost of film but it does balance out in time with camera replacements and upgrading.

The next question is quality. Digital photography is making advancements in the quality of prints but there is still the question of how long the prints will last. In a hundred years will there be a record of digital prints like there is still a record of the pioneers of photography today, we do not know for sure but there is speculation. There was the same speculation back when the medium of photography started but the negatives are still there, with changing technology we do not know if memory cards will be.

All of these points about "which is better" are mute. This is because of one factor that is overlooked in all debates about film and digital that is quality and beyond the quality of the print, camera, and so on.
Put a camera in the hands of a monkey on the streets of New York or France and they will get lucky every once in a while. It does not matter if the camera is film or digital, however a digital camera on full auto settings will help. Then again the same could be said for film.

Any art form, whether it is photography, painting, or whatever, is about emotion, skill, and one last aspect that is so simple it is infantile. For art to become art all that has to happen is for someone to come along and call it art.

Sitting in storage at the Tate in London are tin cans with crap in a can. The reason thousands of dollars was spent on crap in a can was that a critic or someone called it art. Whether or not it is art is debatable but at the end of the day it is still just crap in a can.

A painting professor I know once said, "Art is art and junk is junk. You can take junk and turn it into art but you cannot take art and turn it into junk. What art is is art and what junk is is junk. Art is art and junk is junk and that is all there is to it."

Photographers can debate about whether film or digital is better. It is the quality of their work that matters. What also matters is how people feel about the work or the emotion that the work brings.…

Filmmaking Crew Breakdown – Director of Photography

Upon stepping foot on my first professional film acting gig I was a giant ball of nervousness. My role in this production was quite small. I was what is called a day player, which means my character was only seen in a single scene, and while I had several lines I wouldn't be needed for more than a single day of filming. After running through my lines with the actors, and getting prepped at the hair/makeup trailer and wardrobe came the time to rehearse on set.

While I knew the director from his previous works, I was baffled by the sheer number of crew members. My eyes skimmed the room and noted a variety of faces whose curves were marked with stress and worry; except for one. He was standing by the camera reviewing its placement, and he had the most pleasant disposition about him. After rehearsing the scene, I felt brave enough to approach him to ask his title. He was the director of photography, and while I was vaguely familiar with his duty on set he took the time to further delve into what his profession is and his specific role on the film set.

The director of photography, also known as the DP, is one of the most important members of the directing unit, and as an actor you should understand how his hands shape the final product of a film.

Primary Responsibilities

In the most foundational basis, the director of photography is responsible for overseeing the production of all moving pictures within a film. While his responsibilities may sound similar to those of the cinematographer or the director, they couldn't be more different.

The director of photography spends a significant amount of time talking with the cinematographer and director in order to obtain their visual desire of the film, and then decides what filming equipment and labs to use in order to best capture their vision of a film.

Not only does he select the actual equipment, but he also has a direct role in selecting other professionals who will work in directing unit, such as the camera operator, camera assistants and other minor crew members.

In order for a film to be successful, the movie director and the director of photography must work hand-in-hand as their roles in a production directly shape the final product. Thus, as an actor you should take your notes not only from the director, but also from the director of photography as these professionals are technically one-in-the-same.…

Sigma 40mm f 1.4 dg hsm art lens review – Are they the best performing f 1.4 lenses?

If you’re a photographer or a videographer, you want a camera with a great lens that can capture every tiny detail in your photographs and be able to bring it out clearly. The sigma 40mm f 1.4 dg hsm art lens review will help you understand why you need this particular lens.

Sigma lenses have always been better preferred by both professional and amateur photographers and their recent art lens series has put it at the top of their game. Their optical performance has met and exceeded lenses that are being manufactured by most of the top camera companies. The sigma 40mm f 1.4 dg hsm art lens has a slightly wide angle of 40mm which delivers impressive image quality with a unique focal length that will fascinate you. If you don’t mind the extra size and weight, this is a great lens to have.

What to expect from sigma 40mm f 1.4 dg hsm art lens

The sigma 40mm f 1.4 dg hsm art lens has quite impressive aesthetics and build quality. For a prime lens and one with a mid-range focal length, you will be surprised by its size and weight. But, according to its lens’ class, its size and weight are big and heavy, but not that big overall and still quite comfortable to use. The sigma 40mm f 1.4 dg hsm art lens has an optical path and lens elements that are quite similar to what other Art lenses offer, while its gear-based focusing and all-metal construction makes it perfect for video.

This lens will give you the most amazing photographs you’ve ever seen. With such superior sharpness, this lens doesn’t come cheap. It’s not exactly designed for entry-level photographers, but for someone who doesn’t want to compromise on optical performance and for this you get lenses that are big, heavy, and expensive and not exactly the kind of lens you would carry like a casual camera when going out.

What are the key features?

Image quality

The sigma 40mm f 1.4 dg hsm art lens has an extremely high sharpness right from full aperture which is not only from the middle of the image but from every corner. This sharpness remains constant throughout the entire aperture range. These are rare lenses that allow you to choose the aperture because you’re looking for certain corresponding shutter speed or depth of field. Apart from the high sharpness, you also find there are almost no chromatic aberrations that give you very nice picture quality. The 40mm focal length on this lens can easily create a very strong background blur.

Build

According to Sigma, the sigma 40mm f 1.4 dg hsm art lens has a unique lens among the Art series with a quality that puts it on a level playing field with other lenses in its class. This camera has a hefty lens that is almost 88mm in diameter and 131mm long with a filter size of 82mm and a weight of not less than 1200gms. These may not be the first lens you pick if you’re going on holiday or taking documentary photographs unless you’re looking for optical perfection in every shot. You can use this lens in most circumstances as it’s built with gaskets to keep out moisture and dust. The optical design has 16 elements in 12 groups and the various lens elements are made with special glass.

The special coating in the front lens protects the lens from grease and dirt that can easily stick on the glass. The wide focus ring and a window that shows you the set distance can help you …